Vol. 12 No. 2 (2025)

Articles

• Margins That Haunt Silence, Delusion, and Gendered Exclusion in Abdulrazak Gurnah’s Gravel Heart and Paradise

  Edith Bwana

  1-20

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• Images of Black Women in John Stahl’s Imitation of Life

  Kayode Ogunfolabi

  21-43

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• Uneven Governance of Visual Arts in Tanzania Institutional Reform, Coordination, and Insights from the Film Administration, 2019-2024

  Kiagho Kilonzo

  44-74

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• Interpretative and Discursive Communication Strategies for Addressing Misinformation in State Communication An Example of COVID-19

  Frolence Rutechura

  75-96

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• Economic Rights Advocacy in Bongo Fleva An Interrogation of Sugu’s ‘Haki’ and Nay wa Mitego’s ‘Rais wa Kitaa’

  Yohana Mung'aya, John Wakota, Mpale Yvonne Mwansasu-Silkiluwasha

  97-114

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• Linguistic Forms and Strategies of Endearment among Kiswahili-Speaking Youths in Urban Tanzania

  Erasmus Akiley Msuya

  115-137

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• Narrating Environmental Sustainability in Véronique Tadjo’s In the Company of Men

  Yohana Lukinga, Emmanuel Lema, Yunusy Ng'umbi

  138-159

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• A Stylistic Analysis of Campaign Posters Student Presidential Candidates Use at Two Tertiary Institutions in Tanzania

  Godfrey Francis Muganda

  160-181

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• Strengthening National Identity through Co-Design A Contemporary and Sustainable Approach to Dress Design in Tanzania

  Charles Kahabi

  182-212

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• Politics of Informality and Anti-Urban Discourse Meja Mwangi’s Projection of Postcolonial Nairobi in Going Down River Road

  Lightness Kokwijuka Herman

  213 - 233

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